This early painting from 1995 is a great example of Rita Ackermann's sampling and riffing off art history and mainstream culture. Ackerman seems to quote Manet's A Bar at the...
This early painting from 1995 is a great example of Rita Ackermann's sampling and riffing off art history and mainstream culture. Ackerman seems to quote Manet's A Bar at the Folies-Bergère from 1880 with a 1980s Dawn dish detergent commercial, composing an amalgamation of an iconic masterpiece with quotidian visual imagery. Although this cultural appropriation was typical for the period, Ackermann's highly personalized stylistic approach, meeting Eastern European sensibility with the Western canon, is something that still stands out almost three decades later.
Galerie Peter Kilchmann, Zürich, 1995, where acquired by Private collection, The Netherlands
Exhibitions
Zürich, Galerie Peter Kilchmann, Rita Ackermann. The Birth of Tragedy, 1 - 30 September 1995 Budapest, Ludwig Múzeum, BAKOS. Rita Ackermann, 18 November 2011 – 18 March 2012
Literature
Rita Ackermann, Keep my mouth shut and no headaches... Works 1996-1993, Rockin’on, Tokyo, 1997 Fire By Days. Rita Ackermann, Zürich, Nieves, 2011 "Conversations. THE BODY GETS LOST IN THE GESTURES. Rita Ackermann in conversation with András Szántó", 24 February 2022, in: Ursula, Hauser & Wirth [https://www.hauserwirth.com/ursula/36608-the-body-gets-lost-in-the-gesturesrita-ackermann-conversation-andras-szanto/]; originally published by Inside Burger COLLECTION Courtesy Burger Collection, Hong Kong [https://www.burgercollection.org/usr/library/documents/main/aap_almanacxvii_rita-ackermann.pdf]